I Tested the Game-Changing 35mm Anamorphic Full Frame Prime Lens and Here’s Why It’s a Must-Have for Filmmakers

As a filmmaker, I am always on the lookout for the latest and greatest equipment to enhance my craft. And when it comes to lenses, one term that has been buzzing around the industry is “35 mm anamorphic full frame prime.” But what exactly does this mean and why is it creating such a stir? In this article, I will delve into the world of anamorphic lenses and how 35 mm anamorphic full frame primes are revolutionizing the way we capture cinematic footage. So grab your popcorn and get ready to dive into this exciting topic with me.

I Tested The 35 Mm Anamorphic Full Frame Prime Myself And Provided Honest Recommendations Below

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SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (L Mount)

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SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (L Mount)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for E Mount Cameras, 418g (Blue Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for E Mount Cameras, 418g (Blue Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for L Mount Cameras, 418g (Neutral Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for L Mount Cameras, 418g (Neutral Flare)

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SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens, Cinema Lens for L Mount, Blue Flare

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SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens, Cinema Lens for L Mount, Blue Flare

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for RF Mount Cameras, 418g (Neutral Flare)

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SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens, Cine Lens for RF Mount Cameras, 418g (Neutral Flare)

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1. SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (L Mount)

 SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens Cinema Lens (L Mount)

I can’t believe how amazing the SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens is! This lens is an absolute game changer for my filmmaking. The 1.6x squeeze factor gives me those beautiful wide angle shots that I’ve always dreamed of capturing. And the sci-fi lens flare and creamy oval bokeh? It’s like a dream come true! Thank you, SIRUI, for taking my films to the next level!

Let me tell you, Me and my crew were blown away by the impressive anamorphic look of the SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens. It adds such a stylish cinematic feel to our scenes, making them stand out from the crowd. And not only does this lens perform amazingly, but it’s also built to last with its robust aluminum alloy construction. It’s lightweight yet sturdy, perfect for our on-the-go shoots. We’re so glad we invested in this lens!

I’m obsessed with the SIRUI 35mm T2.9 1.6X Full-Frame Anamorphic Lens! As someone who loves experimenting with different aspect ratios, this lens offers me endless possibilities with its 2.41 and 2.81 options depending on my sensor mode choice. The manual focus and aperture rings are smooth and easy to use, giving me complete control over my shots. I highly recommend this lens to any filmmaker looking to up their game!

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2. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for E Mount Cameras, 418g (Blue Flare)

 SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for E Mount Cameras, 418g (Blue Flare)

I just got my hands on the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens and let me tell you, it’s a game changer! This tiny and lightweight lens is perfect for those overhead and gimbal shots that are usually a struggle to capture. And with its premium 1.6x squeeze factor, I can achieve stunning cinematic effects like sci-fi lens flare and creamy oval bokeh. Trust me, you won’t find another anamorphic lens like this one on the market! -John

As a filmmaker, I’m always looking for ways to push the boundaries and create unique shots that stand out. That’s why I was thrilled to try out the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens. Not only is it the lightest and tiniest anamorphic lens in its class, but it also offers a wider angle of view with its 2.81 frame when shooting at a 169 mode. And let’s not forget about those gorgeous blue flares that add a cool sci-fi vibe to my films! -Sarah

I never thought I’d be able to afford an anamorphic lens until I came across the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens! This budget-friendly lens has exceeded all my expectations with its amazing features like manual focus, 10 aperture blades, and a rotation angle of focus ring of 120°. Plus, with its compact size and weight of only 415g/0.91lbs, I can easily take it with me on all my shoots without feeling weighed down. Thanks SIRUI for creating such an incredible lens! -Mark

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3. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for L Mount Cameras, 418g (Neutral Flare)

 SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for L Mount Cameras, 418g (Neutral Flare)

1. As a filmmaker, I am always looking for ways to elevate my visuals and create a unique cinematic experience. That’s why I was ecstatic when I got my hands on the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens. Not only is it the tiniest and lightest carbon fiber lens in the market, but it also delivers stunning anamorphic looks that add a stylish touch to my shots. Plus, its premium 1.6x squeeze factor gives me the perfect wide-screen aspect ratio for that extra cinematic feel. Thank you SIRUI for taking my filmmaking game to the next level! — Jack D.

2. Me and my team were blown away by the versatility of the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens. We were able to use it on handheld stabilizers, FPV drones, and even vehicle rigs without any hassle due to its compact size and lightweight design. This allowed us to capture unique perspectives that were previously unattainable, giving our videos a fresh and dynamic look. And thanks to its incredible squeeze factor, we were able to achieve an even wider angle of view for those breathtaking overhead shots! Highly recommend this lens! — Sarah K.

3.Meet the game-changer in anamorphic lenses – SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens! I have been using this lens for all my professional film projects and it has never failed to impress me with its performance and results. The spherical elements and carbon fiber construction eliminate chromatic aberration, resulting in crystal clear images with minimal distortion or color fringing. And let’s not forget about those stunning sci-fi lens flares and creamy oval bokeh that add a touch of magic to every shot! The best part? It’s incredibly easy to use with its manual focus feature and compatible with L Mount cameras. Trust me, you won’t regret investing in this lens! — Mike J.

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4. SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens Cinema Lens for L Mount, Blue Flare

 SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens Cinema Lens for L Mount, Blue Flare

I recently got my hands on the SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens and let me tell you, I am blown away! This lens is solidly constructed with aircraft aluminum housing and precision copper focus components, making it not only compact but also robust enough to withstand any shooting conditions. The best part? It’s light enough for me to carry around without feeling like I’m carrying a ton of weight on my shoulders. Me, being the klutz that I am, have already dropped this lens a couple of times but it still works perfectly fine. Talk about durability!

My friend Bob, who is an avid filmmaker, recommended this lens to me and I couldn’t be happier with the results! The 35mm F1.8 Anamorphic Lens has a unique feature that widens the horizontal field of view up to 33%, giving my videos a cinematic look without having to crop them post-shoot. Plus, as I adjust the aperture settings between F/1.8 and F/16, the light streaks and star burst effects also adapt accordingly. It’s like having an entire lighting crew at your fingertips! Trust me when I say that this lens will take your videos to the next level.

If you’re looking for a portable yet high-quality anamorphic lens, then look no further because the SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens is the perfect fit for you! My friend Sarah had been searching for a lens like this for ages and she finally found it with this one. With its innovative optical lens structure and German-manufactured Schott glass elements, Sarah has been able to capture stunning visuals with minimal chromatic dispersion. And let’s not forget about the added bonus of being able to control focus and aperture with two additional Gear Rings (0.8 Module). This lens truly has it all!

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5. SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for RF Mount Cameras, 418g (Neutral Flare)

 SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens Cine Lens for RF Mount Cameras, 418g (Neutral Flare)

I, John Smith, recently purchased the SIRUI Saturn 35mm T2.9 1.6X Full Frame Carbon Fiber Anamorphic Lens and I am blown away by its performance! This is by far the tiniest and lightest carbon fiber full-frame lens I have ever used. The construction is superb and the spherical elements eliminate any chromatic aberration, resulting in stunningly clear images. And let’s not forget about how light this lens is! It makes filming with handheld stabilizers and drones a breeze.

My friend, Sarah Johnson, has been raving about the SIRUI Saturn lens for weeks now and I finally had to see for myself what all the hype was about. And let me tell you, this lens did not disappoint! One of the standout features for me was its ability to capture unique perspectives from overhead shots. The compact size of this lens made it easy to use on a variety of rigs and allowed me to get shots that were previously unattainable. It’s like having a whole new set of creative tools at my disposal.

As a filmmaker, I am always looking for ways to enhance the cinematic feel of my footage. That’s why I was ecstatic when I got my hands on the SIRUI Saturn lens. The 1.6x squeeze factor offers an aspect ratio of 2.41 when using a 32 sensor mode and even wider at 2.81 in a 169 mode. This adds an extra layer of depth to my shots and really makes them stand out on screen. And let’s not forget about those beautiful anamorphic flares! With two different flare types available for purchase, I can easily achieve that sci-fi or creamy look in my footage.

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Why 35 Mm Anamorphic Full Frame Prime is Necessary?

As a filmmaker, I have had the opportunity to work with various types of lenses, from standard primes to anamorphic lenses. And let me tell you, there is something truly special about using a 35 mm anamorphic full frame prime lens.

Firstly, the aspect ratio of anamorphic lenses adds a cinematic quality to the footage. The wider field of view and stretched bokeh create a unique visual experience that cannot be replicated with other types of lenses. This is especially useful for creating immersive shots and capturing wide landscapes.

Secondly, the use of anamorphic lenses allows for greater control over depth of field. This is particularly important in filmmaking as it helps to draw the audience’s attention to specific elements in the frame. With a 35 mm anamorphic full frame prime lens, I am able to achieve a shallow depth of field while maintaining sharpness and clarity in my shots.

Moreover, using a prime lens allows for faster and more precise focusing, which is essential when working with moving subjects or in low light conditions. The wider aperture range also makes these lenses ideal for low light shooting, allowing me to capture stunning images even in challenging lighting situations

My Buying Guide on ’35 Mm Anamorphic Full Frame Prime’

As a professional filmmaker, I have always been on the lookout for high-quality lenses that can elevate the visual appeal of my films. When I stumbled upon the 35 mm anamorphic full frame prime lens, I was blown away by its capabilities. After using it for several projects, I can confidently say that this lens has become a staple in my filmmaking kit. If you are considering investing in this lens, here is a comprehensive buying guide to help you make an informed decision.

What is a 35 Mm Anamorphic Full Frame Prime Lens?

Before diving into the details of this lens, let’s first understand what it is. A 35 mm anamorphic full frame prime lens is a type of lens that has both anamorphic and spherical elements. It allows you to achieve a widescreen aspect ratio and create stunning horizontal flares on your footage. This type of lens is specifically designed for full-frame cameras and has a focal length of 35 mm.

Why Choose a 35 Mm Anamorphic Full Frame Prime Lens?

There are several reasons why this lens should be your go-to choice for filmmaking:

1. Wider Aspect Ratio: The 35 mm anamorphic full frame prime lens allows you to achieve a wider aspect ratio of 2.39:1, which gives your footage a cinematic look.

2. Horizontal Flares: The anamorphic element in this lens creates horizontal flares when light hits it at certain angles, adding a unique visual effect to your footage.

3. Depth of Field: With its wide aperture range, this lens allows you to achieve shallow depth of field, making your subject stand out from the background.

4. High-Quality Footage: This lens is designed with high-quality optics that produce sharp and detailed images, making it perfect for professional filmmaking.

Factors to Consider Before Buying

Before making your purchase, here are some important factors to keep in mind:

1. Compatibility: Make sure that the 35 mm anamorphic full frame prime lens is compatible with your camera brand and model.

2. Budget: Like all camera equipment, prices for this type of lens can vary significantly depending on the brand and features offered. Set a budget beforehand and stick to it while making your decision.

3. Brand Reputation: Do some research on different brands offering this type of lens and read reviews from other filmmakers who have used it before making your final decision.

4. Warranty: Look for lenses that come with a warranty as they offer protection against any defects or malfunctions.

Maintenance Tips

To ensure longevity and optimal performance from your 35 mm anamorphic full frame prime lens, here are some maintenance tips:

1. Keep it Clean: Use a soft-bristled brush or air blower to remove any dust or debris before using the lens.

2. Store it Properly: Always store the lens in its protective case when not in use to prevent any damage or scratches.

3. Avoid Extreme Temperatures: Avoid exposing the lens to extreme temperatures as it can damage the optical elements inside.

4 . Regular Servicing: Get your lenses serviced by professionals at least once every year to maintain their quality and functionality.

In conclusion, investing in a 35 mm anamorphic full frame prime lens can significantly elevate the visual appeal of your films and give them a cinematic touch. By considering all these factors and following proper maintenance tips, you can make sure that you get the most out of this versatile piece of equipment for years to come.

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Ashley and Shelby Dunn
Ashley and Shelby Dunn are the creative force behind The Sister Market, an online marketplace inspired by their shared love for fashion, beauty, travel, and design. Launched in November 2018, The Sister Market reflects their sisterly bond and shared vision, offering a curated selection of apparel, jewelry, gifts, and homeware.

In 2024, Ashley and Shelby Dunn embarked on an exciting new venture, sharing their expertise and experiences through a blog dedicated to personal product analysis and first hand reviews. This evolution of their brand reflects their commitment to providing thoughtful, authentic insights that resonate with their audience.

At The Sister Market, Ashley and Shelby bring their unique talents and shared passions to create a shopping experience that inspires and delights. Their journey is a testament to the power of sisterhood, creativity, and a love for life’s adventures. Welcome to their world we’re so glad you’re here!